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Oscars Audience Drops to Lowest Ever in Latest Blow to Live TV

The audience for Sunday’s Oscar telecast tumbled from a year ago.

Oscars Audience Drops to Lowest Ever in Latest Blow to Live TV
Guillermo del Toro, winner of the award for best director for “The Shape of Water” celebrates in the audience at the Oscars. (Image: PTI)

(Bloomberg) -- The audience for Sunday’s Academy Awards telecast was the lowest in the event’s history, raising fresh doubts about the media industry’s ability to attract ever-growing audiences to live events.

The almost four-hour show drew 26.5 million viewers on Walt Disney Co.’s ABC Network, down 20 percent from a year ago and the smallest audience since Nielsen began tracking viewers in 1974. “The Shape of Water,” from 21st Century Fox Inc., won the Oscar for best picture.

Viewing of live events, such as awards shows and sports, has declined along with the rest of TV viewing. The television audience for the Oscars has fallen every year since 2014, when 43.7 million people watched ”12 Years a Slave” win best picture.

Only two of the pictures that featured in last night’s program, the horror movie “Get Out” and the World War II drama “Dunkirk,” tallied more than $100 million in domestic box-office sales, suggesting that many weren’t even seen by much of the public. Much of the commentary from winners and presenters was focused on social issues, including sexual harassment of women and gender pay disparities.

Yet while ratings continue to fall, programmers are still charging higher rates to advertisers, who remain willing, for now, to pay up because they have few alternatives to reaching large live audiences. ABC was reportedly asking as much as $2.6 million for Oscars commercials, more than in previous years, according to Variety.

To contact the reporters on this story: Rob Golum in Los Angeles at rgolum@bloomberg.net, Gerry Smith in New York at gsmith233@bloomberg.net.

To contact the editors responsible for this story: Crayton Harrison at tharrison5@bloomberg.net, Mark Schoifet, Rob Golum

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